a difficult time getting an idea of what other villagers thought of this proselytizing citizen, mostly because people weren't willing to admit that they were apart of listening to a suspected heretic. It masterfully illuminates the beliefs of a miller, Menocchio, and his interpretations of the world. The Cheese and the Worms is a rare treat that attempts to answer large questions with small samples sizes. Though, I would argue that what makes this book brilliant is not its evidence or overall conclusions but its methodology, execution, and the questions it raises on the nature of belief and unbelief in Early Modern Europe. (68) However, Ginzburg is unable to validate Menocchios ideologies without additional sources and over sixty chapters. In particular, Ginzburg points out that Mandrous thesis argues that popular culture must be imposed from the top-down, while Bollemes thesis understands popular culture as autonomous from elite culture. Ginzburg's argument is that it is unacceptable to think that ideas originate exclusively among the dominate classes but instead work not only from the top dominant class down but also from the artisan and peasant culture. Carlo Gizburg argues that Menocchios unique cosmology reflects a fragment of a persecuted, obliterated, forgotten peasant culture that was in contradiction to wider Christian culture.
Carlo Ginzburg uses trial records as his primary source and references several books a his secondary sources for this writing.
His thesis is that the.
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4.0 out of 5 starsEnjoy the Cheese and the Worms.
The Cheese and the Worms is an incisive study of popular culture in the sixteenth century as seen through the eyes of one man, the miller known as Menocchio, who was accused of heresy during the Inquisition and sentenced to death.
Carlo Ginzburg uses the trial records to illustrate.
The Cheese and the Worms by Carlo Gunzburg is about a time and place where Catholicism was undoubtedly the religion of Europe.
Gunzburgs thesis is that the idea of popular culture is a balanced relationship of power between the dominant class and the culture of those considered the.
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Ginzburgs most significant thesis suggests that popular culture is influence by both rural and elite culture. The Cheese and the Worms was a story written about a sixteenth-century miller, named Domenico Scandell, who went by the name of Menocchio. Of course, this is an inherent problem with pre-modern Inquisition records. Additionally, Ginzburgs organization and framework express the difficulty of both Ginzburg and Menocchios to organize and execute the complex ideas with which they deal with. He was a profound thinker whose literacy enabled him to develop complex political, social, and religious theories. In contrast to both, Ginzburg examines Menocchios literary culture in light of rural culture. However, he cannot provide evidence that it existed.
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