Conceit alone their Taste confine, And glitt'ring Thoughts struck out at ev'ry Line; Pleas'd with a Work where nothing's just or fit; One glaring Chaos and wild Heap of Wit; Poets like Painters, thus, unskill'd to trace The naked Nature and the living. Once School-Divines this zealous Isle o'erspread; Who knew most Sentences was deepest read; Faith, Gospel, All, seem'd made to be disputed, And none had Sense enough to be Confuted. Avoid Extreams; and shun the Fault of such, Who still are pleas'd too little, or too much.
Our Author, happy in a Judge so nice, Produc'd his Play, and beg'd the Knight's Advice, Made him observe the Subject and the Plot, The Manners, Passions, Unities, what not? At ev'ry Trifle scorn to take Offence, That always shows Great Pride, or Little Sense; Those Heads as Stomachs are not sure the best Which nauseate all, and nothing can digest. Thus Criticks, of less Judgment than Caprice, Curious, not Knowing, not exact, but nice, Form short Ideas; and offend in Arts (As most in Manners) by a Love to Parts. In Youth alone its empty Praise we boast, But soon the Short-liv'd Vanity is lost! Marxist theory has different goals. The Muse, whose early Voice you taught to Sing, Prescrib'd her Heights, and prun'd her tender Wing, (Her Guide now lost) no more attempts to rise, But in low Numbers short Excursions tries: Content, if hence th' Unlearned their Wants may view, The Learn'd reflect. These Equal Syllables alone require, Tho' oft the Ear the open Vowels tire, While Expletives their feeble Aid do join, And ten low Words oft creep in one dull Line, While they ring round the same unvary'd Chimes, With sure Returns of still expected Rhymes. New Critics in their works usually include inherent moral dimension, and occasionally a religious dimension.
While the older criticism erred in its over-emphasis on the moral concern of literature, the New Critics go to the other extreme in their entire neglect. What woful stuff this Madrigal wou'd be, To some starv'd Hackny Sonneteer, or me? The emphasis is laid on the study of the text, and its word by word analysis and interpretation. Marxism literary and the new criticism theory Internet. Some have at first for Wits, then Poets past, Turn'd Criticks next, and prov'd plain Fools at last; Some neither can for Wits nor Criticks pass, As heavy Mules are neither Horse or Ass. Want as much more, to turn it to its use, For Wit and Judgment often are at strife, Tho' meant each other's Aid, like Man and Wife. Marxism literary and the new criticism theory. Crane has aptly remarked : So everything turns, for. The critic must, therefore, master the critical traditions and from among the rival critical techniques choose the one best suited to his purposes. Be Niggards of Advice on no Pretence; For the worst Avarice is that of Sense: With mean Complacence ne'er betray your Trust, Nor be so Civil as to prove Unjust; Fear not the Anger of the Wise to raise; Those best can bear Reproof, who. In grave Quintilian's copious Work we find The justest Rules, and clearest Method join'd; Thus useful Arms in Magazines we place, All rang'd in Order, and dispos'd with Grace, But less to please the Eye, than arm the Hand, Still fit for Use, and ready. How the Style refines!
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